在《琐事烦心》（Wolfsbergen，2007年论坛单元），《布朗运动》（Brownian Movement，2011年(nián )论坛(tán )单(dān )元）和(hé )《一(yī )切很安静》（Boven is Het Stil，2013年全景单元）之后，荷兰导演娜诺克•利奥波德(dé )将会(huì )带(dài )着新(🐯)(xīn )片(piàn )来到(dào )2018年(nián )的柏(bǎi )林(lín )电影节在 Generation 14plus中角逐。以她特有的沉静的激进主义风格，她的新(🗂)片跟随着(zhe )15岁Cobain的(de )脚(jiǎo )步，在(zài )城市(shì )里(lǐ )徘徊(huái )，寻找他自毁的母亲。在途中，他遇到了她的老朋友们，社工们(men )，以及(jí )一家(jiā )美(měi )沙酮(tóng )诊(zhěn )所。在(zài )他的(de )电影处女作中，Bas Keizer温柔又有力地表现出了一个必须要快速长大(💔)的男(nán )孩的(de )样(yàng )子。
《美丽(lì )人(rén )生》讲(jiǎng )述的是为了家人辛劳操劳了一辈子四位爷爷，四个(🏢)人为了完成各自心(xīn )中的(de )遗(yí )愿清(qīng )单(dān )变身(shēn )YOLO一(yī )族的(de )搞笑故事。
The movie is to combine a film noir-style investigation with an exploration of altered states of consciousness, focusing on the story of 50-year-old Otto Ganz, the owner of a thriving building and civil engineering company that operates worldwide. One day he has to travel to North Africa to deal with some urgent issues and there, Ganz is confronted with memories of his youth, which he had tried to forget for many years.
影片以尼哈为开场，尼哈突然遭遇恐怖袭击并失去知(zhī )觉。当(dāng )她恢(huī )复(fù )知觉(jiào )时(shí )，她(tā )开(kāi )始寻(xún )找她失踪的女儿，但她找不到。在万(🌹)般无助之下，她打电话给罗(luó )尼，希(xī )望罗(luó )尼(ní )能够(gòu )回(huí )来帮(bāng )助她寻找失踪的女儿(💁)...
워커홀릭 남편을 둔 가정주부 아키호는매일 밤 욕구 불만에 괴로워하지만 임신한 딸 부부와 함께 살기에 내색도 못한다.얼마 후 딸은 입덧 때문에 입원을 하고 남편도 외국으로 출장을 떠난다. 아키호는 사위 타츠와 단(🚝) 둘이 남게 되자그 동안 쌓인 욕정을 참지 못하고 사위에게 뜨거운 바디 어택을 시도한다.
一部(🈂)关于禁毒的公益院线电影。
在外打拼的华人，习惯(guàn )了聚(jù )散(sàn )分离(lí )，留下(xià )还(hái )是离(lí )开，是他们亘古不变的一个选择题。转眼间已到27岁的刘夏，面对(duì )周遭的(de )聚散(sàn )离(lí )合、面(miàn )对异(yì )国(guó )的边缘生活、(📰)面对摇摇欲坠的梦想，她不得不为自己的前途和命运做(zuò )一份(fèn )打(dǎ )算。
金(jīn )发的(de )万(wàn )年(🦋)高(gāo )中生切小金（张庭瑚 饰），在“第五年”高中生活的第一天，阴错阳差(chà )救了(le )绰(chāo )号小(xiǎo )公(gōng )主的(de )徐(xú )立汉(hàn )(洪言翔饰)和性格阴暗的鲁群（林鹤轩 饰）两位同学，而被学校大(dà )流氓蝙(biān )蝠盯(dīng )上(shàng )，此(cǐ )时(🔛)(shí )又被(bèi )祖(zǔ )父母逼得必须回一趟他一直不愿再接近的家族温泉旅馆，而鲁群和小(xiǎo )公(🦂)主(zhǔ )为(wéi )了躲(duǒ )避(bì )霸凌(líng )，硬是(shì )跟着小金一起返乡。
Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@
In the fall of 1960, Father Thomas Riley and Father John Thornton were sent by the Vatican to investigate a miraculous event in an Irish home for 'fallen women', only to uncover something much more horrific.
