2033年,一名少女受困(🛫)在一間神祕(📭)的孤兒院。她穿越時(🕜)(shí )空(kōng )回(huí(🙇) )到(dào )了過去,尋找自(🆙)己的親生父母,企圖(🌉)要改變過往(🎰)、扭轉未來,或許(xǔ(🕶) ),她(tā )的(de )人(rén )生(shēng )將(🙆)(jiāng )有(yǒu )不(bú(💙) )同的發展。
Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?
After being double-crossed by Hondo on her own ship, Maz tells some stories.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
“假如音乐(🏸)是爱情的食(🆑)粮,请继续演(yǎn )奏(zò(🦃)u )吧(ba )!”以配乐著称并为(😲)莎士比亚爱(🧢)情喜剧《爱的徒劳》及(💤)《爱的胜利》((🌘)即(jí )《无(wú )事(shì )生(shē(🚝)ng )非(fēi )》)注入无限活(🎀)力的超人气(✝)导演克里斯托弗•(💳)拉斯康(kāng )贝(🍩)(bèi )(Christopher Luscombe)携创作团队(😐)重返埃文河畔斯特(♈)拉福德的皇(🖖)家莎士比亚剧团,执(🍇)导莎(shā )翁(wēng )另(lìng )一(⏭)(yī )部(bù )滑(huá(💰) )稽(jī )又(yòu )心(xīn )酸的(📡)单相思爱情(🤺)故事:
When a quick-witted but co-dependent college girl helps her best friend land a boyfriend, she's left on the outside looking in and is forced to deal with the realities of adulthood for the first time.
威尼斯國際(♎)電影節參展作品(pǐ(🤝)n )
麦(mài )子(zǐ )的(😫)丈夫马豆根在煤矿(🥄)事故中受了(😩)伤,完全瘫痪不能治(🆗)愈,由此引发出(chū )麦(🗡)(mài )子(zǐ )跟(gē(👺)n )马(mǎ )豆(dòu )根(gēn )和(hé(⏺) )矿主老于之间充满悬疑色彩的(🕳)一场人性较量,麦子(🚫)(zǐ )用(yòng )她(tā(🐤) )的(de )坚贞和执着发现(🏁)了美丽谎言背后的(👘)真相,她对未(🤹)来的生活也不知会(🥐)(huì )做(zuò )出(chū(🆕) )怎(zěn )样(yàng )的(de )选(xuǎn )择(🤓)(zé )。