林可馨(🥀)，杂志(zhì(😳) )社(shè )白(bái )领(lǐng )，正(zhèng )打(🚇)(dǎ(⏭) )算(suàn )从(cóng )繁(fán )忙(máng )工(gōng )作(🐡)(zuò(🦒) )中(zhōng )回(huí )归家庭生(🕷)活之时(🤯)，却(🉐)遭遇婚姻与事业双(🤩)重麻烦，丈夫与其他女性的暧(😇)昧(🐟)、上司(sī )的(de )自(zì )由(🦏)(yóu )观(guā(🎴)n )灌(🤭)(guàn )输(shū )、暖(nuǎn )男(ná(🔒)n )作家秦(👃)皓(🍷)的闯入，稳定的生活(💋)受(✌)到各种抉择，经历各种打击(🌗)之(🗨)后，柔弱的林可馨选(😯)择了勇(🌲)敢(😶)面对。
罗杰、莉莎、(🛢)司徒若(🥩)琳三人，被邪恶博士抓(🏟)到(✈)实验室(shì )，准(zhǔn )备(bèi )利(lì )用(🏽)(yò(⏺)ng )他(tā )们(men )来(lái )完(wán )成(📞)(chéng )自(zì(🏯) )己(🐕)(jǐ )基(jī )因(yīn )战士培(🚐)养的邪恶计划。过程中三人身(👧)体(⬆)里面的超能力被激(🙃)活，逃出(🛹)了(🚭)实验室。博(bó )士(shì )一(🦀)(yī )心(xī(🔔)n )想(🧒)(xiǎng )着(zhe )自(zì )己(jǐ )的邪(🍇)恶(👒)计划，对三人穷追不舍，三人(🤜)在(🎐)司徒若琳哥哥的帮(➰)助下，暂(⏩)时(🕗)躲避了起来，司徒南(🔙)帮助三(🍭)人提升了解自己的超(🎌)能(⏪)力。之后，博士的人找到了他(🌕)们(👛)，三(sān )人(rén )与(yǔ )博(bó(🔔) )士(shì )开(🎊)(kā(🧖)i )始(shǐ )了(le )一(yī )场(chǎng )战(🐳)(zhàn )斗(dòu )。三(sān )人能否逃出博士(😃)的(🎨)魔爪？
Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
成长中父母(🗂)也在日(🍅)渐(👿)变老，我们会把这样(🔀)或那样(📲)的(🤧)(de )无(wú )奈(nài )当(dāng )做(zuò(🛒) )借(jiè )口(kǒu )，而(ér )忽(hū )视他们的(📆)心(👥)理或身体的健康状(🏖)况，当问(🍖)题(🎓)严重时我们又会悔(🐜)恨自己(➖)的(⛩)冷漠和粗心，孩子和(🎶)父(🚚)母之间永远存在一种不公(⏲)平(⛰)，而这种不公平却又(🏕)以一种(🦗)不(💕)协调(diào )的(de )姿(zī )势(shì(😒) )，却(què )又(yòu )很(hěn )和(hé )谐(xié )的(de )存(🈶)(cú(😀)n )在(zài )着(zhe )………
本片导演童(📅)抒(🔰)伟称，《追击者》将是福(👵)建省第(🐨)一(🌡)部真正意义上还原(😕)电影(yǐng )本(běn )质(zhì )、追(zhuī )求(qiú(😿) )电(😽)(diàn )影(yǐng )艺(yì )术(shù )的(📭)动作犯(🚫)罪(🛣)电影，同时他也致力(📋)于拍摄(🗼)出(🎸)自己风格的电影，更(🤽)希(🛰)望能够打开漳州，甚至是福(🚒)建(🎎)的电影市场，希望能(💤)将商业(♋)与(🚖)艺术想结合。
Shaji Pappan and his gang try to redeem their arts club through a game of tug-o-war. Chaos erupts as the half-witted gang gets entangled in a bigger conspiracy.
When a near-decade old murder case involving a movie star threatens to reopen, adult child Duke Moody decides to make a true crime documentary, financed by his mother.
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
