《驴为(🧣)媒(méi )》故(⛱)事发(🚿)(fā )生在当下(xià )鲁西大(dà )地上的聊城市，讲述的是在(zài )京打拼(pīn )多(🌇)年的有(🍂)(yǒu )志(📥)青年，得(🏾)知老(🚝)(lǎo )家惠民政(💭)策后，回乡养(🆗)驴、(🎂)带领村(🎄)(cūn )民(🐽)脱贫致(📬)(zhì )富(🕋)，实现(xiàn )自己创(chuàng )业梦，并赢(yíng )得爱情(qíng )的故事;讲(jiǎng )述了党的精准(🍆)扶(fú )贫(🌍)政策(🐼)和(hé )乡(🍽)村振(💐)(zhèn )兴战略在(🎀)齐(qí )鲁大地(🕙)(dì )的生动实(🔫)(shí )践(📪)，展现(xià(📂)n )了基(🎍)层(céng )党(🥣)员干(🔇)部在全面建成小康社(shè )会进程(chéng )中的“主(zhǔ )心骨”形(xíng )象。电(diàn )影《驴(🈯)为媒》坚(🍜)持“小(🏍)成本(bě(🛵)n )、大(🚧)情(qíng )怀、正(🆙)能(néng )量”的创(⚡)(chuàng )作(🦋)宗旨(zhǐ(🍦) )，紧扣(🤑)当前乡(📚)村振(📰)兴和精准(zhǔn )扶贫主(zhǔ )题，将社(shè )会效益、价值引(yǐn )领放在首位(wè(🍕)i )，引导(dǎ(😍)o )人们(🌘)努力(lì(✂) )实现(🎗)个人前途与(⛳)(yǔ )国家命运(🏍)(yùn )、个体(tǐ(🐏) )经历(👵)与时代(👟)(dài )大(🖱)潮、个(✉)体情(🔬)感(gǎn )与国家情(qíng )感的同(tóng )频共振，激励人们向上向善(shàn )，自觉(jiào )践(🔆)行社会(🦓)(huì )主(🔞)义核心(🧝)(xīn )价(🍆)值观(guān )，讴歌(👺)党、讴歌人(♓)民、(😱)讴歌(gē(🚿) )新时(🍦)代(dài )。
On a trek to find the world's rarest tree, Dylan and his friends descend into harsh ravines and canyons. As the wilderness closes in on them they come face to face with hard truths about friendship, unrequited love, and the consequences of letting go of the past.
同(🎭)作は(🌼)、「ルパン三世(shì )」の原作誕生50周年を締めくくる記(jì )念作品(🦓)。「ルパ(🉑)ン三(🎶)世 PART5」ブ(🐅)ルー(❗)レイ＆DVD第1巻(🐄)(quàn )の先着購(🎆)(gòu )入特典と(📊)して(✏)、約27分(🏄)の映(🙂)(yìng )像が(🤓)DVDに収録される。キャラクターデザインを「ルパン三世 PART5」の横堀(🔟)久雄(🖼)と、長(🏑)年「(♎)ルパン(💛)」シ(🎈)リーズに関(🤡)わってきた(📠)アニ(💆)メータ(🙌)ーの(🛃)平(píng )山(🖍)智、(🏡)監督を「サイボーグ009VSデビルマン」の川越惇が担当し、メイン(🚜)キャス(🈴)トは(🤗)栗田(tiá(🎊)n )貫一(🎮)ら、「ルパ(👣)ン三世 PART5」と(🏑)同じメンバ(📫)ーが(🧢)担当す(🐾)る。
“没(💝)(méi )有名(🌼)字(zì )的我，没有(yǒu )未来的(de )她”
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UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
“NO BORDER 2D×3D” をキャッチフレーズに掲げ、(👏)2Dと3Dの(⏭)境(jìng )目(🌺)をな(🍲)くすク(🔨)リエ(🔛)イティブな(😇)活(huó )動を目(🚾)指す(💬)３DCGプロ(🔺)ダク(👭)ション(💉)“Picona Creative Studio”。本作(🥊)はどんなものでも捨ててみせるゴミ捨て屋コンビと、魔法を(🍼)捨てた(💺)い魔(🗒)女が繰(📘)り広(♋)げる、ファ(🔣)ッション×(🏑) ポップ× ア(🛳)ニメ(🤗)をキー(✊)ワー(😲)ドに魔法と科(kē )学を絡(luò )み合わせたスラップスティック・アニメー(🔩)ショ(🗽)ン。同社(😷)が長(🍮)年温めてき(🛫)たオリジナ(🎖)ル企画が、(🤷)つい(📜)に実現(🍂)！
