女(⛲)演员蜜(🤸)拉(lā )参(📻)加她的(📀)最后(hò(🔩)u )一次试(🛒)镜。试镜(jìng )地点(diǎn )是在远(🥠)郊的破(👽)(pò )旧(jiù(🧖) )古宅(zhá(📊)i )里。蜜拉(🐶)同其他(🥠)(tā )五位(💟)女演员(🤪)及(jí )经(💬)纪人一(👡)起来到这里(lǐ )，并结识了新(xīn )片的剪辑师翟立(lì )川。很(🙇)(hěn )快，杀(🎱)人事件(🤳)(jiàn )发生(🏌)(shēng )，女演(🐒)员接二连(lián )三遇害。蜜拉(lā )与翟立川一边寻找出(chū )口，一边遭(🌏)遇(yù )各(😈)(gè )种奇(😔)(qí )异怪(🍜)事及(jí(🍬) )同伴(bà(🥓)n )的(de )死亡(🌴)。在一次(🐄)(cì )突发(🎥)事件后，蜜拉与(yǔ )翟立川失散，并(😫)遇见了(🔺)被绑在(👀)(zài )献祭(😈)(jì )架上(📜)，奄奄一(💑)(yī )息(xī(💐) )的孕(yù(⏬)n )妇山岸(🐁)莞优，莞(wǎn )优请求蜜拉帮(bāng )她找到药品止血，并(bìng )提示她小心(😁)翟(zhái )立(📎)川。蜜拉(🏨)在寻(xú(💷)n )药过(guò(🦍) )程(chéng )中发现了翟立(lì )川的(de )真面目，遭到他(tā )疯狂追逐……
伊(🌎)格内修(🍰)是中产(🍧)阶级(jí(🔚) )，他经营(🏬)着一(yī(🈯) )家(jiā )自(🥫)己餐厅(🥩)，并(bìng )且(🏦)铁(tiě )腕(wàn )管理。因此与(yǔ )员工不(📆)断产生(😼)摩擦，尤(📝)其是和(🥐)厨师(shī(👡) )。一次，员(🐬)工没(mé(🍴)i )打算(suà(🍄)n )联手设(👉)局反抗(kàng )他(tā )，然(rán )而事情却并没有(yǒu )按照计划中进(jìn )行...
“治(😐)癒”睡眠(🌊)，挑(tiāo )战(🏴)人类清(⚪)醒极(jí(🐦) )限！
馬賊入村劫(jié )掠，九(jiǔ )歲男孩從此失(shī )去母(mǔ )親。親戚接他(🌨)到(dào )異(🏊)鄉居住(👖)，新(xīn )生(🀄)活真的(🖼)在前面(🐙)等着(zhe )驚(💹)魂未定(🔎)的他(tā(🐊) )？遠山連 綿，林(lín )徑迂(yū )迴(huí )，故(💒)事彷彿(😺)於(yú )路(⬛)的盡頭(🔐)開始了(🌓)，無(wú )緣(📭)無故在(🖥)轉角(jiǎ(👎)o )暫時消(⛽)失，拐了(le )一個(gè )彎又重現。夢(mèng )境(jìng )和現(xiàn )實界線變得模糊(hú(🚎) )之際，男(🧛)孩所(suǒ(🙉) )能緊緊(🍪)擁抱的(🗣)，只是(shì )亡母告訴過他(tā )的神話故事，關(guān )於受(shòu )詛(zǔ )咒的憤(👽)怒復仇(👎)(chóu )之神(💗)(shén )馬勇(🐉)，關於不(🍗)知(zhī )不(🍬)覺間緩(👼)慢而(é(🍢)r )實在的(🔧)成長。佩舒彭(péng )德拉辛格的第(dì(🈳) )二(èr )部(📣)作品，處(🎅)處(chù )閃(📗)現(xiàn )薩(🔣)(sà )耶哲(🕸)雷、杜(🔊)魯(lǔ )福(📷)和域陀(🆙)艾里斯的光(guāng )影風格，滲透(tòu )在黑白之間，純(chún )粹的(de )美，複合的(🛹)痛(tòng )。
宇(🤘)宙(zhòu )犯(🛋)罪者ベ(🐚)ムルと(🦆)その一味を追(zhuī )って地球にやってきた宇宙の警察(chá )と呼(🌱)ばれる(🍘)スパン(♑)デクサ(🐻)ーの一(🖼)人スパ(🍖)ンデク(❎)サーＡ(📋)は、ベ(🍵)ムルたちに襲われていた地球(🤜)の捜査(🤷)官・目(🙅)白(bái )を(🙋)助ける(💂)が、そ(🗂)のため(🍏)にベム(👪)ルたち(🔛)を逃がしてしまう。目白の協力のもと、地球に残(cán )ってベ(⬛)ムルを(🕵)倒そう(😁)とする(🍋)スパン(🈶)デクサーＡの前に、宇宙の犯罪者たちがスパンデクサー(❎)たちを(🍆)倒すた(🔤)めに作(✡)(zuò )った(📊)人工生(🚸)命(mìng )体(🏸)ゾーラ(🌽)が現れ(🕜)る。スパンデクサーの弱点の物(⏪)質で作(🐸)(zuò )られ(👎)たゾー(🤰)ラに敗(🎅)北した(🐀)スパン(🐉)デクサ(📧)ーＡは(⛵)、ゾーラに拉致され壮絶(jué )な拷問を受ける。そして残虐な(🌄)性(xìng )格(🐊)のゾー(🕎)ラは、(💅)目白(bá(😫)i )を捕らえて、家(jiā )族に危害を加(jiā )えられたくなければス(🔱)パンデ(⭐)クサー(😧)Ａをそ(🐞)の手で(💊)殺すよ(📥)うに命(❗)令する(🔜)のだっ(💀)た。
馬賊入村(cūn )劫掠，九歲男(nán )孩(🦂)從此失(🍮)去母親(🦐)。親(qīn )戚(🚜)接他到(🎡)異鄉(xiā(😂)ng )居住，新(🍊)生活真(💌)(zhēn )的在(✏)(zài )前(qián )面等着驚魂未(wèi )定的他？遠山連 綿，林徑迂迴，故(gù )事(🏡)彷彿於(🎬)路的盡(🎁)頭開(kā(🧕)i )始了，無(🐯)緣無(wú )故(gù )在轉(zhuǎn )角暫時消(xiāo )失，拐(guǎi )了一個彎又重(chóng )現。夢(🔒)境和現(📺)實界線(🏵)(xiàn )變得(👻)模糊之(😤)際(jì )，男(🚁)孩所能(💬)緊緊(jǐ(📕)n )擁抱(bà(👲)o )的，只是亡母告(gào )訴過(guò )他的神(🔨)話故事(😮)，關於受(🍖)詛咒的(🤡)(de )憤怒復(🏭)仇之神(➗)馬勇，關(🐴)於不知(🔶)不覺(jià(🈁)o )間緩慢而實在的(de )成長(zhǎng )。佩舒彭德拉辛(xīn )格的第二部作品，處(🔥)(chù )處閃(✂)現薩耶(🦖)哲(zhé )雷(🚹)、杜魯(🌞)福和域陀艾(ài )里斯的光影風(fēng )格(gé )，滲(shèn )透在黑白(bái )之間，純(🌜)粹的美(📢)，複(fú )合(🐎)的痛。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
Jerusha Kali, on the eve of University graduation and her 21st birthday - has her genetic mutation kick in; this enables her to emit an abnormal electromagnetic field; stemming from her pineal gland, which is extremely powerful. She is able to manipulate space and time, and travel inter-dimensionally. She is the last surviving Witch. All of her ancestors have been successfully eradicated by an elite Secret Society which controls much of the various institutions of the world. This Secret Society is evil, ancient and has technological innovation on their side. She incorporates Allies of various relict secret societies; mostly of Nordic and Indigenous origins and inevitably has to do battle with the formidable foes before the eve of her 21st Birthday - which is the Full Moon - where her powers will fully culminate. It is prophesized that she is the one to lead the global revolution to return planet earth to homeostasis.
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?
